Posts Tagged ‘Dan Auerbach’

Another year of the Reading & Leeds festival has passed and it’s another year I’m glad I watched from the comfort of my settee. Any twang of envy felt observing the human pyramids is dismissed with the unwelcome memory of wading in human effluent and resorting to rip-off greasy burgers. Now, let’s talk music: who were the Festival Republic stars of 2012 and who deserves to be detained in the Lock Up, key thrown away?

Endeavouring to steer clear of endorsing the same bands, I must nevertheless give nods to Florence and the Machine & The Black Keys. Flo’ flourished in her main stage slot, prancing about the floor as balletic as ever, the day two deluge failing to dampen her spirits. The rabbit-hearted, ex-art school Welch also entertained when giving her security guard the slip.

Meanwhile, Black Keys’ showcased their 7th sleeve El Camino (“the way”) which has helped pave “their route” to mainstream success. Dan Auerbach ground out the bluesy guitars whilst Patrick Carney pounded the percussions like they were bin lids. Such has been the Keys’ parachuting to stardom, teenage girls were spotted wearing self-decorated t-shirts sporting the messages “I’m Howlin’ for You Dan” and “Dan, I’ll be your Next Girl!” The opening two numbers did not disappoint.

As for the headliners? The Cure were a bore – Robert Smith‘s pallid appearance threatening to actually make boys cry…  Kasabian were also something of a mixed bag. Fire caught on but for the most part Meighan and co looked subdued. Fortunate then that Foo Fighters‘ three hour closing stint was a true lesson in rock & roll brilliance.

Lowlight of the week, perhaps, came from the lips of Fearne ‘amazing’ Cotton when she hailed The Hives set in the NME Tent as “so live”. Sometimes it is just better to say nothing. Quite how “so live” distinguishes The Hives from the 200-or-so other, very much live acts performing over the weekend is a mystery! Maybe miming is secretly more widespread at festivals than we are led to believe… The freeze-frame with which The Hives finished mirrored the astonishment on my chops whenJubilee sickbagCotton dropped this latest cherry.

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Lonely Boy, the new single from The Black Keys has gone viral [or at least microbial], as smartly predicted in advance by Ethan, author of Letters From The Wasteland. The video features a Village People-style cameo from an uncuffed and unnamed bloke outside a motel lobby. Resemblance to Dave Benson-Phillips perhaps, anyone?

 

Previously, the blues-rock pairing were probably best known in the UK for their Jools Holland performances of Tighten Up, Next Girl and Howlin’ For You.

To label the duo from Ohio as understudies of the Kings of Leon would be a touch flippant. Dan Auerbach‘s guitar breeds a raw sound backed in emphatic style by Patrick Carney’s clattering drums. Underlying humour in their videos also deserves recognition, and is reminiscent of New York indie trio We Are Scientists.

The Keys have been plying their trade for over 10 years now, producing 6 studio albums in that period. Brothers, their most commercially successful record to date reached #29 and silver status here. El Camino their hotly-anticipated next effort will premiere in shops on 6th December. It looks certain to be the long-awaited Gold on the Ceiling for the Americans. The forthcoming winter could well be a Hell of a Season for them.

The only question remains, at what number will El Camino break into the Top 10 UK albums charts?